Born:
Education:
- University of Illinois, Urbana, Illinois.
Master of Fine Arts in Painting and Printmaking
- Auburn University, Auburn Alabama
Bachelor of Visual Arts
Exhibitions:
- 2024 "Art Reclaimed", Shelley Hoon Keith Gallery, Curry College, Milton, Massachusetts.
- 2023 "Repurposed", John Molloy Gallery, New York, N.Y.
- 2023 "Pattern and Process", (group) Krannert Art Museum, University of Illinois, Champaign/Urbana, Illinois.
- 2020 "Reconstructing Die Cuts", Saint Peters University Art Gallery, Jersey City, N.J.
- 2019 "Spray Paintings 1966" (catalog) David Hall Fine Arts, Wellesley, Massachusetts.
- 2016 "Concept, Performance, Documentation, Language" (group) Mitchell Algus Gallery, New York, N.Y.
- 2010 "Compass in Hand:" Selections from The Judith Rothschild Foundation Contemporary Drawings Collection. Museum of Modern Art.
- 2008 “Work by Gerry Hayes and Scott Malbaurn”, Denise Bibro Fine Art, New York, NY.
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- 2007 “Breaking the White Light”, Denise Bibro Fine Art, New York, NY.
- 2005 “Revisiting the ‘80's”, Pratt Institute President’s Gallery, Brooklyn, NY.
- 2000 “Reconstructing Abstraction”, Mitchell Algus Gallery, New York, NY.
- 1998 “Signature Painting”, Gallery Korea, New York, NY.
- 1997 “Drawing After the Arcade”, Southern Cross University Art Museum, Lismore,
Australia.
- 1997 “African/American ”, Mobile Museum of Art, Mobile, AL.
- 1997 “Abstraction Index”, Condeso/ Lawler Gallery, New York, NY.
- 1996 “7th Anniversary Exhibition”, Nagoya Parco, Tokyo, Japan.
- 1996 “PHOTOgraphism (in painting)”, Pratt Manhattan Gallery, NY.
- 1995 “Impact”, Fine Arts Museum of the South, Mobile, AL.
- 1995 Huntsville Art Museum, AL.
- 1994 Nancy Solomon Gallery, Atlanta, GA.
- 1990 Stockton State College Gallery, Pomona, NJ.
- 1990 Calkins Gallery, Hofstra University, Hempstead, NY.
- 1986 “Small Scale Abstraction”, Grace Borgenicht Gallery, NY.
- 1985 “New Works ”, by Hayes-Miller-Ortwein, Pyramid Arts Center, Rochester, NY.
- 1985 “Invitational”, Biggin Hall Art Gallery, Auburn University, AL.
- 1984 “New Jersey Arts Inclusion Program” The Jane Voorhess Zimmerli Art Museum,Rutgers University, New Brunswick, NJ. (catalog)
- 1983 “New Work, New York”, Newcastle Polytechnic Art Gallery, England. (catalog)
- 1982 “DARK/LIGHT: Extensions of Photography,” Lang Art Gallery, Scripps College, Claremont, California, CA. (catalog/ photo)
- 1982 “Different Views/ Common Ground,” Galerie des Arts Visuels, University Lavel, Quebec, Canada. (catalog/ photo)
- 1982 “New Tondos & Squares” Harm Boukaert Gallery, NY.
- 1981 “Abstract Painting, New York City,” Emily Lowe Gallery, Hofstra, Hempstead, Long Island,NY. (catalog/ photo)
- 1980 “DARK/LIGHT: Extensions of Photography,” University of California, Santa Barbara Art Museum. (catalog/ photo)
- 1976 “Hayes- Miller-Ortwein,” Bevier Gallery, Rochester Institute of Technology, NY.
- 1975 “Gallery Group Exhibition” 112 Greene Street Gallery, NY.
- 1974 “Beauty in Science, Science in Art,” Pennsylvania State University, University Park, Pennsylvania.
- 1973 City University of New York Graduate Center ,NY.
- 1972 “Materials,” Massachusetts College of Art Gallery, Boston, Massachusetts.
- 1971 “Seventeen Circular Objects,” Laura Knott Gallery, Bradford College, Bradford, Massachusetts.
- 1971 “Earth, Air, Fire, Water: Elements of Art,” Museum of Fine Arts, Boston, Massachusetts. (catalog/photo)
- 1971 “Gallery Group Exhibition, ” Reese Palley Gallery, NY.
- 1971 “Twenty-six by Twenty-six,” Vassar College Art Gallery, Poughkeepsie, NY. (catalog/photo)
- 1971 “Lucht Kunst” Stedelijk Museum, Amsterdam. (catalog/photo)
- 1971“Air and Other Phenomena,” Everson Museum of Art, Syracuse, NY.
- 1970 “Space Envelopes,” Reese Palley Gallery, NY.
- 1970 “Air Art!” National Gallery of Victoria, Melbourne, Australia.
- 1970 The Gallery of South Australia, Adelaide, Australia.
- 1970 Museo de bellas artes, Caracas, Venezuela. (catalog/photo)
Catalog Essays:
- Naves, Mario. “Drawing After the Arcade,” Southern Cross University Art Museum,
Lismore, Australia, 1997.
- Morgan, Robert. “Hayes’ Pragmatic American Formalism,” Stockton State College,
Art Gallery, Pomona, New Jersey, 1990.
- Masheck, Joseph. “Gerald Hayes’ Material Image,” Calkins Gallery, Hofstra University, Hempstead, New York, 1990.
- Price, Ellen. “New Work, New York,” Newcastle Polytechnic Art Gallery,
Newcastle, England, 1983.
- Bell, Tiffany. “Abstract Painting, New York City,” Emily Lowe Gallery,
Hofstra University, Hempstead, New York, 1981.
- Cleto, Tony. “Different Views/Common Ground,” Universite Lavel, Quebec, Canada.
- Plous, Phyllis. “DARK/LIGHT: Extension of Photography,” University of California,
Santa Barbara Art Museum, 1980.
- Gunter, Virginia.. “EARTH, AIR, FIRE, WATER; Elements of Art,” Museum of Fine Arts, Boston, Massachusetts, 1971.
- Cikovsky, Nicolai. “Twenty-six by Twenty-six,” Vassar College Art Gallery,
Poughkeepsie, New York, 1971.
- Harithas, James. “Lucht Kunst,” Stedelijk Museum, Amsterdam, 1971.
Selected Bibliography:
- “ Reconstructing Abstraction,” The New Yorker, (May 15, 2000) :21.
- Morgan, Robert. “Reconstructing Abstraction,” Review, May 1, 2000.
- Bendheim, Anne. “Black or White?” Mobile Register, (January 12, 1997):1G (Photo).
- Pozzi, Lucio. “Il Fotografismo nella pittura,” Il Giornale Dell’arte, November 1996):28.
- Naves, Mario. “Studio View.” New Art Examiner, (Summer 1993):33, (Photo).
- Ostrow, Saul. “Gerald Hayes.” Tema Celeste, Contemporary Art Review,
March/April 1991, p 98, (Photo).
- Cyphers, Peggy. “Gerald Hayes.” Arts Magazine, (Summer 1990).
- Pincus-Witten, Robert. Entries (Maximalism), Out of London Press, (1983):33 (Photo).
- Knight, Christopher. “A Photo That Focuses on Emphatic Presence.” Los Angeles Herald Examiner, 3 February 1982.
- Yoskowitz, Robert. “Gerald Hayes.” Arts Magazine, (March 1982):4 (Photo).
- Shirey, David L. “Abstraction with a Relaxed Air.” New York Times, (March 1, 1981): 19.
- Fisher, Craig. “Gerald Hayes’ Hybrid Investigations.” Arts Magazine, (June 1980):36.
- McDonald, Robert. “This Is Not a Photograph.” Artweek, (November 29, 1980):16.
- Muchnic, Suzanne. “Photo Images at UC Santa Barbara.” Los Angeles Times,
11 December 1980. (Photo).
- Pincus-Witten, Robert. “Entries: Styles of Artists and Critics.” Arts Magazine (November 1979):127, (Photo).
- “ Flash Art U.S.A. and Canada.” Flash Art, International Review of Arts.
(October-November 1974):41-42, (Photo).
- Gunter, Virginia. “Gerald Hayes: The Creativity of the Psychological Eye.” Artforum XI (May 1973):41-42, (Photo).
Collections:
- Addison Gallery of Art, Phillips Academy, Andover, Massachusetts.
- Art Centers of America, Englishtown, New Jersey.
- American Telephone and Telegraph, Liberty Corners, New Jersey.
- Auburn University, Auburn Alabama.
- Huntsville Art Museum, Huntsville, Alabama.
- Krannert Art Museum, University of Illinois, Urbana, Illinois.
- Museum of Modern Art, New York
- Mobile Museum of Art, Mobile, Alabama.
- Pratt Institute Library, Brooklyn, N.Y.
- Southern Cross University Art Museum, Lismore, Australia.
- Stockton State College, Pomona, New Jersey.
- Alliance Bernstein, New York, N.Y.